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The gore and violence never feels sensationalized or glorified, but instead conveys how truly horrific each attack was. Each murder is brought to life based on the testimony of the real-life survivors, and the results are chilling. Fincher’s obsessive attention to detail and the script’s adherence to the source material infuses the film with an almost alarming sense of realism and captures the tense atmosphere of a city on edge.
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Adapted from Robert Graysmith’s book about the serial killer that terrorized San Francisco in the late 60s and 70s, there’s good reason why “Zodiac” is often hailed as Fincher’s masterpiece and one of the genre’s very best films. “Zodiac” (2007)ĭavid Fincher was no stranger to the crime genre, having both “Se7en” and “Fight Club” already under his belt when he made “Zodiac” in 2007. It is this deeper parable, laced deep into the greater structural mystery, that helps make “Memento” so chilling and unforgettable. Instead, it’s about the lengths we can go to in order to avoid grieving, and how dangerously vulnerable we become as a result. But “Memento” isn’t really about whether Leonard is John G, and whether he killed his wife in an explosion of violence or an insulin overdose.
Leonard suffers from anterograde amnesia as a result of the attack, and his inability to make new memories have turned his body into a canvas of paranoia, with tattoos pertaining to his task inked onto every available inch of skin.


Based on a short story by Jonathan Nolan, “Memento” follows Leonard, a man so burdened by guilt that it shatters his mind, and sends him on a quest for revenge against the unknown assailant who broke into his home and murdered his wife. It’s a great testament to the talents of Christopher and Jonathan Nolan that “Memento” was able to land such an impact a mere year after David Fincher’s “Fight Club.” But while both films pull the rug out from under viewers thanks to unreliable narrators, the Oscar-nominated screenplay’s seesawing timelines have kept audiences coming back to try and piece together the film’s tantalizing puzzle. Clearly, Gerwig had been preparing to take the directing reins her whole life. “Lady Bird” marks a full-blown triumph not only as a superb, exactingly wrought screenplay but a fully realized piece of cinema. Tracy Letts is Lady Bird’s adoring father, and Lucas Hedges and Timothee Chalamet are her challenging romantic entanglements. Laurie Metcalf nails her angry, frustrated, penny-pinching, and loving mother who cannot help returning to old arguments. Irish Oscar nominee Saoirse Ronan ran with the role of Christine “Lady Bird” Macpherson (a version of Catholic high schooler Gerwig) as a scrappy and voracious culture-vulture eager to escape her Sacramento confines for an Eastern college.
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Her fictional but semi-autobiographical movie was close to the final screenplay. When the script was finished, Gerwig had to decide whether to give the film away or direct it herself. She then spent years whittling it down, slowly and deliberately, reading it out loud, refining the rhythms. By 2013, Gerwig had thrown all her “Lady Bird” ideas into a 350-page first draft. “Frances Ha” was the first thing Greta Gerwig had cowritten (with partner Noah Baumbach) that felt like a step toward the filmmaking and writing she wanted to do. The Coen’s script is a masterclass in dark comedy, with Larry’s plight becoming a depressing but often humorous ode to the world not working in our favor.
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The prologue to “A Serious Man” presents a pessimistic outlook on a cursed life, and that bleak perspective bleeds into the Coen brothers’ story of Larry Gopnick, a down-on-his-luck Jewish physics professor whose life is one long series of unfortunate events. You know Joel and Ethan Coen are about to get personal when they begin a script with a Yiddish prologue about a murder in a shtetl in 19th-century Eastern European. But it took three years and several versions of the movie to reach the finish line, and it was worth the effort. The script leads Andy to a place where he can give the toys away to a deserving little girl. Nightmare Film Shoots: 28 of the Most Grueling Films Ever Made
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New Movies: Release Calendar for May 20, Plus Where to Watch the Latest Films ScriptHop Wants to Change the Way Screenplays Travel in Hollywood
